Skip to main content

THE MILKWAUKEE JOURNAL—SCREEN and RADIO


THE MILKWAUKEE JOURNAL—SCREEN and RADIO
Sunday, December 30, 1945
The McGees Are Just Folks
By Carlton Cheney
ON A RECENT trip to New York, Jim Jordan, better known as Fibber McGee, of Fibber and Molly, was standing in the main corridor of the NBC studios when a little crowd of sightseers approached. Led by a uniformed guide, they nore down on Jordan, elbowed him out of the way and continued their hunt for glimpses of stars.
That no one paid him the least attention did not surprise Fibber’s other self. Even after some eight years of life in Hollywood, where stars rarely pass unrecognized, Jim and Marion Jordan, though tops among radio teams, can usually walk down a crowded Vine st. without being mobbed by autograph hunters.
The fact that they remain relatively inconspicuous once they get away from the microphones does not disturb or displease the Jordans. Plain folk from country and small town, the one the son of a farmer, the other the daughter of a coal miner, they make no pretense of radiating glamor and will probably never get used to the idea that they are, in any sense, celebrities. In a Hollywood much given to exhibitionism and the keenest of rivalry for public attention, they seem strangely out of place.
They Don’t Go for Hollywood’s Glitter
In truth, Fibber and Molly are rarely so comfortable as when they get away from Hollywood’s bright lights, tinsel glitter and psuedo-sophistication and retrent to the rustic simplicity of their little two and one-half acre ranch in the San Fernando valley, or better still, to the remoteness of their cattle ranch not far from Bakersfield in the San Joaquin. There they feel they are surrounded by their kind of people, by neighbors who speak their language.
“I like Bakersfield,” remarked Jim recently “That’s my kind of town You walk down the street, and people stop to ask about your cattle or inquire how the work is going on the new well. Everyone’s so friendly and neighborly.”
In their little one story, four room dwelling on the cattle ranch, the Jordans spent most of the weeks they were off the sir in summer.
“At our place in the San Fernando,” said Marion, “we have eight rooms. With help so hard to get nowadays, when we’re there I’ve had to do most of the housework myself. Up on the cattle ranch, I can take care of those four rooms in a breeze.”
As to the cattle ranch, Marion would have it known that it is no mere hobby. On the sprending acres they raise fine black I’ole Angus stock and are currently enlarging the herd from 200 to 250 head.
“Jim is very much at home up there,” she said. “You know, he was raised on a farm. But don’t get the idea that he likes to get out and pitch hay. Some of the other ranchers go in for raising their own feed, but we don’t. Jim says he pitchforked enough hay and carried enough water to the farm hands as a boy to last him the rest of his life. He’s interested now in managing things, being the businessman. And he’s a good businessman too.”
Besides the cattle project, the Jordans operate a nursery on 12 San Fernando valley acres, where they specialize in the raising of Cinerarias. Their entry of these flowers in the Pasadena flower show last spring won first prize. From the seed of this stock they expect to raise 3,000 flats of Cineraria plants.
These agricultural and horticultural activities, however, are side lines. Prime interest of both the Jordans is their weekly air show on NBC. Having reached the peak as a radio team after many years of discouragement and many battles with adversity, they seem to feel a deep responsibility to their job. Each of the Jordans leans heavily upon each other’s judgment.
Both Jordans derived great satisfaction from their recent trip to Toronto. Ont. and New York. They had not been in New York since their first broadcast as Fibber McGee and Molly 10 years ago when Jim overhead one of the NBC pages remark to some of his co-workers the day after that broadcast.
“Did you listen to that new show last night?” inquired the young man, not recognizing Jordan standing near by. “Boy, is that a stinker! Bet it won’t last long”
The Jordans, Fibber McGee and Molly, reading a script for their Tuesday night show (8:30 p. m., WTMJ-NBC)

Comments

Popular posts from this blog

"Was Jack Benny Gay?": The Amount of Weight In Jack Benny's Loafers

While doing research for an article I came across an unexpected search result: "Was Jack Benny Gay?" There was no more than the question as previously stated from the original poster, but the replies made for interesting reading, ranging from: Jack Benny Celebrating his 39th Birthday "Of course not, he was a well known skirt-chaser in his youth, and he was married to Mary Livingston for many years" "Sure he was, everyone in Hollywood with the possible exception of John Wayne was and is homosexual!" "Part of Benny's "schtick" was his limp-wristed hand-to-face gestures. He was not gay, but emphasized what his fans observed as "acting like a girl" for humor. While heterosexual Benny tried to gay it up, many really gay actors or comedians in those days tried to act as "straight" as they could muster." "... the idea behind his character was to have him a little on the ambiguous side. His charact...

Old Time Radio Shows "Transcribed" Explained

What does it mean on old time radio shows when you hear the show is "Transcribed"? During the Golden Age of Radio , "transcribed" programs were recorded and sent to stations or networks on a disc running at 16 rps. The discs are larger than 33 1/3s. "Transcribed" means it was recorded on a disc. "Recorded" was a term that was known, of course, but not used very much in Radio's Golden Age. During the era, it was also considered very important to distinguish which shows went out live and which were recorded (transcribed), so if a show was transcribed it was announced as such.  "Transcribed" was a colloquialism of the era. One reason they came up with it was because there was still enough skittishness about recording that "pre-recorded" sounded a little obscene inside the industry. CBS and NBC were live through the '30s and '40s. Yet line transcriptions were made for either the sponsor or its ad agency. ...

OLD TIME RADIO ACTORS AND THEIR ROLES, AND OLD TIME RADIO PROGRAM

Old Time Radio Actor's Name, Character Played, Program Aaker, Lee Rusty Rin-Tin-Tin Aames, Marlene McWilliams, Lauralee Story of Holly Sloan, The Abbott, Judith Lawson, Agnes Aldrich Family, The Abbott, Minabelle Sothern, Mary Life of Mary Sothern, The Ace, Goodman Ace, Goodman Easy Aces Ace, Goodman Ace, Goodman Mister Ace and Jane Ace, Jane Ace, Jane Easy Aces Ace, Jane Ace, Jane Mister Ace and Jane Adams, Bill Cotter, Jim Rosemary Adams, Bill Hagen, Mike Valiant Lady Adams, Bill Roosevelt, Franklin Delano March of Time, The Adams, Bill Salesman Travelin' Man Adams, Bill Stark, Daniel Roses and Drums Adams, Bill Whelan, Father Abie's Irish Rose Adams, Bill Wilbur, Matthew Your Family and Mine Adams, Bill Young, Sam Pepper Young's Family Adams, Edith Gilman, Ethel Those Happy Gilmans Adams, Franklin Mayor of a model city Secret City Adams, Franklin Jr. Skinner, Skippy Skippy Adams, Franklin Pierce Emcee Word Game, The Adams, Guila Mattie Step M...